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  <title>Widgets &amp; Stone Almanac</title>
  <link rel="alternate" type="text/html" href="http://blog.widgetsandstone.com/" />
  <modified>2008-09-20T18:13:41Z</modified>
  <tagline></tagline>
  <id>tag:blog.widgetsandstone.com,2008://307</id>
  <generator url="http://www.movabletype.org/" version="4.12">Movable Type</generator>
  <copyright>Copyright (c) 2008, widgeteer</copyright>

  <entry>
    <title>ONE CLIP AT A TIME</title>
    <link rel="alternate" type="text/html" href="http://blog.widgetsandstone.com/archives/2008/09/post.html" />
    <modified>2008-09-20T18:13:41Z</modified>
    <issued>2008-09-20T09:42:43-05:00</issued>
    <id>tag:blog.widgetsandstone.com,2008://307.74591</id>
    <created>2008-09-20T13:42:43Z</created>
    <summary type="text/plain">Identity Design Project Profile Taking tiny paper clips and very big ideas into the 5th grade classroom... When teachers and students started a simple class project in Whitwell, Tennessee, little did they know that it would capture the attention of...</summary>
    <author>
      <name>widgeteer</name>
      <url>widgetsandstone.com</url>
      <email>rustand@widgetsandstone.com</email>
    </author>
    
    <content type="text/html" mode="escaped" xml:lang="en" xml:base="http://blog.widgetsandstone.com/">
      <![CDATA[<div class="subhead">Identity Design Project Profile</div>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="OneClip_Header.jpg" src="http://blog.widgetsandstone.com/OneClip_Header.jpg" width="425" height="162" class="mt-image-none" style="" /></span></p>

<p><b>Taking tiny paper clips and very big ideas into the 5th grade classroom...</b></p>

<p>When teachers and students started a simple class project in Whitwell, Tennessee, little did they know that it would capture the attention of thousands of people around the world. </p>]]>
      <![CDATA[<p>Inspired by a symbol of resistance against Nazi occupation - paper clips worn on lapels - the teachers and children of Whitwell Middle School came up with a simple but profound idea: to fill a memorial railcar with 11 million paper clips, representing the victims of the Holocaust. </p>

<p>Thirty million paper clips were sent to the school, many with personal stories of how the Holocaust affected families, as well as from Presidents, actors and directors, and schoolchildren around the world.</p>

<p>Today, <i>Paper Clips</i> is a full length documentary from Miramax Films and <a href="http://www.oneclipatatime.org">One Clip at a Time</a> is a not for profit that has created an interactive teaching kit to motivate and empower 5th grade students to make positive changes in their own classrooms and communities. </p>

<p>Widgets & Stone was privileged to be invited to design the identity for this nonprofit, thanks to Alison Lebowitz, Executive Director of the program and Pat Buckley of the Johnson Group.</p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="OneClip_DVD.jpg" src="http://blog.widgetsandstone.com/OneClip_DVD.jpg" width="425" height="320" class="mt-image-none" style="" /></span></p>

<p>The One Clip curriculum will help students examine subjects of prejudice and stereotyping in order to find ways to combat hatred and promote understanding. It will give students the opportunity to identify local issues and to create detailed action plans for concrete changes in their own communities. And it will inspire and empower students to become not only socially aware, but also socially active as they learn to examine their individual roles and responsibilities in our society.</p>

<p><b>One Clip at a Time Goals</b><br />
<ul><br />
	<li>To make the One Clip Teaching Kit available at no cost to every fifth grade classroom in the country</li></p>

<p>	<li>To maintain a web site that provides additional materials and resources, and forums for sharing success stories and ideas</li></p>

<p>	<li>To inspire youth activism and provide opportunities and resources for students to make positive changes in their own communities</li></p>

<p>	<li>To perpetuate and sustain the Paper Clips Project and Children's Holocaust Memorial located at Whitwell Middle School (in Whitwell, Tennessee)</li></p>

<p>	<li>To change the world...one class at a time</li><br />
</ul></p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="OneClip_Logo.jpg" src="http://blog.widgetsandstone.com/OneClip_Logo.jpg" width="425" height="425" class="mt-image-none" style="" /></span></p>

<p><b>The Brand Identity Design</b><br />
Widgets & Stone approached this project with several key factors in mind: </p>

<p><b>1.</b> The target audience is 5th graders - and their teacher and curriculum developers, so the identity should communicate and appeal to a young audience. </p>

<p><b>2.</b> The identity should be as simple and timeless as the design of the paper clip itself.</p>

<p><b>3.</b>The identity should be iconic, simplifying the relatively long name of the organization into a concise and memorable symbol.</p>

<p>The result is a combination of the number 1 and a paper clip.</p>

<p>A benefit of the design is that it can be fashioned into a physical object - its very own paper clip or lapel pin:</p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="OneClip_Lapel.jpg" src="http://blog.widgetsandstone.com/OneClip_Lapel.jpg" width="425" height="260" class="mt-image-none" style="" /></span></p>

<p>The design also lends itself to application in a wide variety of arrangements and patterns, as seen in the letterhead design:</p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="OneClip_Ltr.jpg" src="http://blog.widgetsandstone.com/OneClip_Ltr.jpg" width="425" height="372" class="mt-image-none" style="" /></span></p>

<p>Alison G. Lebovitz, President of One Clip at a Time, said: <br />
<em><br />
"The logo makes me so happy. The letterhead makes me smile, because it is so streamlined and simple but when I turn it over the back is wild and unpredictable, with all of those clips in metallic ink. Even the envelopes are cool. I mean really, who has cool envelopes?"</p>

<p>"For a start-up not-for-profit it is critical to present a polished and professional look to potential supporters and the people we serve. The fact that you did this project pro bono touches my heart, but the fact that you produced something so creative, unique and inspiring blows me away." </p>

<p>"Thank you for your patience and dedication throughout this process, and for helping our not-for-profit get off to an amazing start!"</em></p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="OneClip_Collage.jpg" src="http://blog.widgetsandstone.com/OneClip_Collage.jpg" width="425" height="320" class="mt-image-none" style="" /></span></p>

<p>The playful, simple and childlike appeal of the design gives a wonderful first impression of an important and powerful curriculum.</p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="OneClip_Thankyou.jpg" src="http://blog.widgetsandstone.com/OneClip_Thankyou.jpg" width="425" height="320" class="mt-image-none" style="" /></span></p>]]>
    </content>
  </entry>

  <entry>
    <title>Design as Service</title>
    <link rel="alternate" type="text/html" href="http://blog.widgetsandstone.com/archives/2008/09/design-as-servi.html" />
    <modified>2008-09-08T18:55:59Z</modified>
    <issued>2008-09-08T14:55:45-05:00</issued>
    <id>tag:blog.widgetsandstone.com,2008://307.74104</id>
    <created>2008-09-08T18:55:45Z</created>
    <summary type="text/plain">Could the profession do more for community than we think it could? Yes, it is true that the design profession is considered a service (although designers are just as often providing a product too), but that&apos;s not the kind of...</summary>
    <author>
      <name>widgeteer</name>
      <url>widgetsandstone.com</url>
      <email>rustand@widgetsandstone.com</email>
    </author>
    
    <content type="text/html" mode="escaped" xml:lang="en" xml:base="http://blog.widgetsandstone.com/">
      <![CDATA[<div class="subhead">Could the profession do more for community than we think it could?</div>

<p>Yes, it is true that the design profession is considered a service (although designers are just as often providing a product too), but that's not the kind of "service" this entry will discuss... The kind of service I see design and the design process providing is "the act of helping someone" -- like a servant, truly <i>serving</i> an organization or an individual. More often than not, this aspect of our role is resented rather than celebrated -- why? What would happen if more of us saw this as our highest purpose as designers?</p>]]>
      <![CDATA[<p>In the profession today we see a strong push for the designer to have total artistic control, wresting any creative authority away from the client. Look at the celebrities of our profession: each seems to embody some aspect of "creative genius" which imbues them with a degree of autonomy to do what they see as best. Our role models have a rock star status and are lauded for self-initiated (and self-governed) projects where the client only says "thank you." The trend toward "designer-as-author" is immensely popular too, not only does the designer design, but he or she creates the content being designed.</p>

<p>Those of you familiar with our blog may wonder if this concept of "total creative control for the designer" is something that I have in fact endorsed myself (see my entry about proposing one design solution instead of three or more: <u><a href="http://blog.widgetsandstone.com/archives/2007/10/one-shot-one-opportunity-one-moment.html">One Opportunity</a></u> ). I don't think the concept of really serving a client and proposing one solution are mutually exclusive, and I hope my thoughts on the subject will elaborate on this...</p>

<p>The desire for a designer to be seen as a creative expert who should be autonomous in his "art"  tends to overlook an essential part of the design profession: that we are in the business of being the messengers, not the message. Tibor Kalman himself said it best "Design is a means, not an end. A language, not content." This certainly does not mean we can't become the authors, many designers do and are very good at it. But my point is that it is still extremely valuable to be able serve by clearly communicating a message for someone else.</p>

<p>Think of it like this, the role of a designer is much like that of a translator. We may not create the content of the message, but we are very involved in shaping the exact nuances, choosing the proper vernacular terms and even the grammatical structure as we take that content into another language -- a visual language of sorts. This is an exceptionally valuable service. The message would fail to be delivered at all without us. </p>

<p>I feel that if our profession were better at relishing our role as a service, we would in fact begin to place our clients needs before our own. How often are we more intent on creating something that will impress our design colleagues than something that will best serve our clients? Based on conversations with designers across the nation, I think far too often.</p>

<p>I believe that design is an extremely powerful tool in serving to connect people to one another. It is not the only tool, nor is it a superior tool (there are many ways to communicate and connect people), but it <i>is</i> an extremely useful tool. Let's celebrate Design's role as a servant in the means of communication and be much more selective about the content we decide to use it for, and I believe we will not only be happier, but also much better designers.</p>]]>
    </content>
  </entry>

  <entry>
    <title>35-85</title>
    <link rel="alternate" type="text/html" href="http://blog.widgetsandstone.com/archives/2008/08/3585.html" />
    <modified>2008-08-28T10:50:49Z</modified>
    <issued>2008-08-27T06:22:04-05:00</issued>
    <id>tag:blog.widgetsandstone.com,2008://307.74132</id>
    <created>2008-08-27T10:22:04Z</created>
    <summary type="text/plain">A Chattanooga Party A party, in Chattanooga, on an ordinary Monday night? This is one problem if it&apos;s your daughter&apos;s birthday but quite another if it&apos;s a client&apos;s objective. Especially when the client&apos;s target audience is professionals, families, singles, couples,...</summary>
    <author>
      <name>widgeteer</name>
      <url>widgetsandstone.com</url>
      <email>rustand@widgetsandstone.com</email>
    </author>
    
    <content type="text/html" mode="escaped" xml:lang="en" xml:base="http://blog.widgetsandstone.com/">
      <![CDATA[<div class="subhead">A Chattanooga Party</div>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="3585_Header.jpg" src="http://blog.widgetsandstone.com/3585_Header.jpg" width="425" height="162" class="mt-image-none" style="" /></span></p>

<p>A party, in Chattanooga, on an ordinary Monday night? This is one problem if it's your daughter's birthday but quite another if it's a client's objective. Especially when the client's target audience is professionals, families, singles, couples, students... in short, everybody. Unless the event is emblazoned with orange and white and serving nachos around a big screen, it can be hard to draw a crowd on a Monday in Chattanooga.</p>]]>
      <![CDATA[<p>So when we were commissioned by CreateHere to create a marketing strategy that would promote their big party celebrating all that Chattanooga is - has become - and will be, we jumped at the challenge, and led with "design" in its broadest sense of strategic thinking: identity, articulation and communication. </p>

<p>The project team was Paul Rustand, Matt Greenwell, Joseph Shipp and Caleb Ludwick; with Joseph serving as design lead and Caleb as marketing strategist. Implementation was handled on the client side, with talent and verve by Elana Gulas and Jessica Martin of CreateHere, who took the many small strategic steps and used them to create a grassroots groundswell. </p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="3585_MapHandbill.jpg" src="http://blog.widgetsandstone.com/3585_MapHandbill.jpg" width="425" height="605" class="mt-image-none" style="" /></span></p>

<p>We chose a name that could be used first to create buzz and soon afterward to heighten the richness of the promotion with meaning. We settled on 35 85 (sorry our blog freaks out when we add the proper degree symbols, somebody at Movable Type work on that), a play on Chattanooga's latitude and longitude (technically 35 -85, clarified in the supporting copy lest someone think that they were being asked to travel to mainland China).</p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="3585_BeHere.jpg" src="http://blog.widgetsandstone.com/3585_BeHere.jpg" width="425" height="619" class="mt-image-none" style="" /></span></p>

<p>Stage one of the approach used design-heavy digital promotion, to hold down costs and appeal in particular to buzz-hungry young professionals. Maps, gathered from tourist information points around the city, were overprinted with a logo developed by Joseph, then delivered to the CreateHere Fellows and artists who participated in the event, for "word of hand" distribution. An email blast soon followed, without any explanation other than that more information would be coming soon, and a direct to a website with the logo and clock countdown to the event date. </p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="3585_Web.jpg" src="http://blog.widgetsandstone.com/3585_Web.jpg" width="425" height="314" class="mt-image-none" style="" /></span></p>

<p><br />
<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="3585_Cardoor.jpg" src="http://blog.widgetsandstone.com/3585_Cardoor.jpg" width="425" height="428" class="mt-image-none" style="" /></span></p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="3585_Windshield.jpg" src="http://blog.widgetsandstone.com/3585_Windshield.jpg" width="425" height="428" class="mt-image-none" style="" /></span></p>

<p>Stage two was one of Chattanooga's first true attempts at guerilla marketing: a stencil and biodegradable chalk, laid down at key traffic areas around the city like Main Street and the Walnut Street bridge. Again, the URL was included but at this point the website revealed that the coming event was going to be a party and included some of the participating artists, sponsors and musicians. </p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="3585_Painting.jpg" src="http://blog.widgetsandstone.com/3585_Painting.jpg" width="425" height="369" class="mt-image-none" style="" /></span></p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="3585_Dumpster.jpg" src="http://blog.widgetsandstone.com/3585_Dumpster.jpg" width="425" height="369" class="mt-image-none" style="" /></span></p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="3585_Window.jpg" src="http://blog.widgetsandstone.com/3585_Window.jpg" width="425" height="369" class="mt-image-none" style="" /></span></p>

<p>At this point, buzz was in full effect. One of Chattanooga's superfriends - a 30something urbanminded PR professional - asked Caleb if he knew anything about the party, and how to get on the invite list. Eventually telling her that the party would be open to the public, she asked, "Why all the mystery, then?" Caleb replied that we were building interest, to which she said, "Oh, that never works in Chattanooga... although wait, I guess it just did." </p>

<p>Stage three was integrated print and web: a press release, Facebook and MySpace invitations sent to hundreds of local users, business-card size flyers created by Joseph, which Elana and other fellows passed out around town.</p>

<p>The fourth and final stage were oversized banners hung outside of the retail spaces of sponsoring businesses and a second, modified "guerilla" campaign where the stencil was used to paint windows of favorite restaurants and stores around town, in conjunction with a full reveal email blast and peel-up vinyl stickers that were placed in a second round of high traffic areas downtown. Last but not least, paper hand fans were passed out at the downtown concert series Nightfall, three days before the big night.</p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="3585_StickerStarbucks.jpg" src="http://blog.widgetsandstone.com/3585_StickerStarbucks.jpg" width="425" height="568" class="mt-image-none" style="" /></span></p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="3585_YoureInvitedDet.jpg" src="http://blog.widgetsandstone.com/3585_YoureInvitedDet.jpg" width="425" height="342" class="mt-image-none" style="" /></span></p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="3585_Banner.jpg" src="http://blog.widgetsandstone.com/3585_Banner.jpg" width="425" height="428" class="mt-image-none" style="" /></span></p>

<p>The party was picked up by the Chattanoogan, popular blogs including Chattarati, Irresponsible Journalism and guerilla communication blog, as well as international design site adrants. By the day of the party, a Google search of the numbers 35 and 85 (without quotes other words) returned the party as search result #5 out of 607 million.</p>

<p>Translating promotion and buzz to participation was a great success: Elana and the CreateHere Fellows, along with lead strategists Josh McManus and Helen Davis Johnson, pulled off the party with great success. More than 1,000 people attended the event, making this particular Monday night anything but ordinary. Check out the post-party iteration of the website for photos: <u><a href="http://35-85.us/">35-85.us</a></u>.</p>

<p>Kudos to CreateHere for another great party and thanks for the fun of helping call Chattanooga out to play.</p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="3585_YouRHereDetail.jpg" src="http://blog.widgetsandstone.com/3585_YouRHereDetail.jpg" width="425" height="342" class="mt-image-none" style="" /></span></p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="3585_Closer.jpg" src="http://blog.widgetsandstone.com/3585_Closer.jpg" width="500" height="375" class="mt-image-none" style="" /></span></p>]]>
    </content>
  </entry>

  <entry>
    <title>CREATE HERE</title>
    <link rel="alternate" type="text/html" href="http://blog.widgetsandstone.com/archives/2008/08/create-here.html" />
    <modified>2008-08-25T13:36:19Z</modified>
    <issued>2008-08-22T11:00:05-05:00</issued>
    <id>tag:blog.widgetsandstone.com,2008://307.73995</id>
    <created>2008-08-22T15:00:05Z</created>
    <summary type="text/plain">Brand Case Study Rethinking... well, everything. And creating where you live. When a grant-supported collective of programs, projects, incentive funding and individuals came to Widgets &amp; Stone, they had a very specific challenge. Like many start-up, creative-minded entrepreneurships, they needed...</summary>
    <author>
      <name>widgeteer</name>
      <url>widgetsandstone.com</url>
      <email>rustand@widgetsandstone.com</email>
    </author>
    
    <content type="text/html" mode="escaped" xml:lang="en" xml:base="http://blog.widgetsandstone.com/">
      <![CDATA[<div class="subhead">Brand Case Study</div>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="CH_Header.jpg" src="http://blog.widgetsandstone.com/CH_Header.jpg" width="425" height="162" class="mt-image-none" style="" /></span></p>

<p><b>Rethinking... well, everything. And creating where you live.</b></p>

<p>When a grant-supported collective of programs, projects, incentive funding and individuals came to Widgets & Stone, they had a very specific challenge. Like many start-up, creative-minded entrepreneurships, they needed to enter a skeptical market with the right targeting, and the right message, in the right way. </p>]]>
      <![CDATA[<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="CH_PostItArrows.jpg" src="http://blog.widgetsandstone.com/CH_PostItArrows.jpg" width="425" height="155" class="mt-image-none" style="" /></span></p>

<p>Widgets was brought to the table early in the organization's history, even before a name was chosen. Our design director Paul Rustand and freelance collaborator Caleb Ludwick joined Brian May of MayCreate and Josiah Roe of Coptix, along with CreateHere strategists Josh McManus and Helen Johnson to name and develop objectives for the initiative.</p>

<p>These objectives would frame the design challenges of branding and launching CreateHere:</p>

<p>1. create a brand that would inspire, invite and engage participation from local creatives and entrepreneurs</p>

<p>2. help secure foundation funding</p>

<p>3. position for scalable growth. </p>

<p>Since the principals, Josh and Helen, came out of an arts granting organization and their day-one programs included relocation grants for artists, we knew that CreateHere would need to appeal to practicing studio artists. We also knew, however, that the financiers of the programs wanted to see the organization's influence expand to all of "the creative class", including entrepreneurs, techies, doctors, lawyers, and other service-driven self employed and small business owners. </p>

<p>Thankfully, we know of a discipline located squarely at the intersection of Art Boulevard and Commerce Street. By foregrounding design as a strategic platform and the design process as an explicit part of the aesthetic, we were able to position CreateHere for success. </p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="CH_SplashPg.jpg" src="http://blog.widgetsandstone.com/CH_SplashPg.jpg" width="425" height="323" class="mt-image-none" style="" /></span></p>

<p>Key initial strategic positioning meant framing the launch of CreateHere as a brand rather than as any particular product, service or program, with a self-referential identity that asked people to "join us" in a grassroots spirit, as a call to action. The act of joining was as important as whatever form it took, as the brand invited input of any and all sort by asking Chattanoogans to think big and talk loud about what they wish our city could be, would offer, and should become. </p>

<p><i>A concept developed to encourage response: "business cards" were handed out with post-it notes attached, asking one of 4 survey questions... Recipients were asked to answer them and hand them back...</i></p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="CH_BCs.jpg" src="http://blog.widgetsandstone.com/CH_BCs.jpg" width="425" height="510" class="mt-image-none" style="" /></span></p>

<p>CreateHere's core commitments are to treat creative individuals as economic drivers, tell Chattanooga's story, promote creativity, encourage citizen engagement, and help our city retain creatives and entrepreneurs. </p>

<p>The visual articulation that Widgets created for the logo and identity, then, was straightforward. A clear homage to directional highway exit signs. A hand-drawn quality. Acidic pinks, oranges and yellows highlight the fact that these are not your average highway signs. All with an industrial and manufacturing feel made modern, calling to mind the very city which it intended to serve. </p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="CH_Signs.jpg" src="http://blog.widgetsandstone.com/CH_Signs.jpg" width="425" height="450" class="mt-image-none" style="" /></span></p>

<p>The verbal articulation of the brand was established as simple, straight-talking, and unabashedly optimistic. The brand invited citizens to refuse any retreat into cynicism or passivity. Instead, it invited hope and hard work to achieve a better hometown. </p>

<p>The brand launched with a survey, inviting input and hundreds of Chattanoogans responded. Their priorities shaped the grant request that CreateHere made to area foundations, and funded programs quickly grew from proposals to reality. The launch of the website attracted 10,000 visitors to the website in its first three months. </p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="CH_WebPage.jpg" src="http://blog.widgetsandstone.com/CH_WebPage.jpg" width="425" height="365" class="mt-image-none" style="" /></span></p>

<p>Scalability was achieved primarily through the naming convention of a VerbNoun combination, in a way that could be repurposed for subbranded programs under the CreateHere umbrella. To date, these include SpringBoard mentored small business classes for entrepreneurs, MakeWork artist grants, and the peripheral TakeRoot tree planting and city beautification project. One year after CreateHere's launch, Widgets was retained to name and brand a citywide internship program and forcibly evolved the model, by naming the program Plugdin, in a way that references and yet revolts against the VerbNoun combinations. </p>

<p><i>During construction of the new CreateHere space, post-it notes were used to make teaser signage in the windows to hide the renovations...</i></p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="CH_PostItPeople.jpg" src="http://blog.widgetsandstone.com/CH_PostItPeople.jpg" width="425" height="317" class="mt-image-none" style="" /></span></p>

<p><img alt="CHPost1.jpg" src="http://blog.widgetsandstone.com/archives/CHPost1.jpg" width="418" height="319" border="0" /></p>

<p><img alt="CHPost2.jpg" src="http://blog.widgetsandstone.com/archives/CHPost2.jpg" width="418" height="319" border="0" /></p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="CH_PostItChatties.jpg" src="http://blog.widgetsandstone.com/CH_PostItChatties.jpg" width="425" height="324" class="mt-image-none" style="" /></span></p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="CH_PostItMap.jpg" src="http://blog.widgetsandstone.com/CH_PostItMap.jpg" width="425" height="273" class="mt-image-none" style="" /></span></p>

<p><i>Logos designed for a variety of initiatives and programs of Create Here:</i></p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="CH_Programs.jpg" src="http://blog.widgetsandstone.com/CH_Programs.jpg" width="425" height="504" class="mt-image-none" style="" /></span><br />
</p>]]>
    </content>
  </entry>

  <entry>
    <title>Widgets &amp; Stone Photostream</title>
    <link rel="alternate" type="text/html" href="http://blog.widgetsandstone.com/archives/2008/06/widgets-stone-p.html" />
    <modified>2008-06-27T21:41:43Z</modified>
    <issued>2008-06-27T17:35:19-05:00</issued>
    <id>tag:blog.widgetsandstone.com,2008://307.72067</id>
    <created>2008-06-27T21:35:19Z</created>
    <summary type="text/plain">Now on flickr We&apos;ve just started, but look here for more artistic and detailed photography of our projects... Widgets Photostream on Flickr...</summary>
    <author>
      <name>widgeteer</name>
      <url>widgetsandstone.com</url>
      <email>rustand@widgetsandstone.com</email>
    </author>
    
    <content type="text/html" mode="escaped" xml:lang="en" xml:base="http://blog.widgetsandstone.com/">
      <![CDATA[<div class="subhead">Now on flickr</div>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="FlickrHeader.jpg" src="http://blog.widgetsandstone.com/FlickrHeader.jpg" width="425" height="162" class="mt-image-none" style="" /></span></p>

<p>We've just started, but look here for more artistic and detailed photography of our projects... <u><a href="http://www.flickr.com/photos/widgetsandstone/show/">Widgets Photostream on Flickr</a></u></p>]]>
      
    </content>
  </entry>

  <entry>
    <title>EASY BISTRO &amp; BAR</title>
    <link rel="alternate" type="text/html" href="http://blog.widgetsandstone.com/archives/2008/06/easy-bistro-bar.html" />
    <modified>2008-08-27T22:38:34Z</modified>
    <issued>2008-06-24T14:03:34-05:00</issued>
    <id>tag:blog.widgetsandstone.com,2008://307.71921</id>
    <created>2008-06-24T18:03:34Z</created>
    <summary type="text/plain">Rebrand Project Profile The Finest Ingredients + a Few New Spices = Recipe for Success In 2005 Erik &amp; Amanda Niel fulfilled a long held dream by opening their very own restaurant, Easy Seafood. After several good years in the...</summary>
    <author>
      <name>widgeteer</name>
      <url>widgetsandstone.com</url>
      <email>rustand@widgetsandstone.com</email>
    </author>
    
    <content type="text/html" mode="escaped" xml:lang="en" xml:base="http://blog.widgetsandstone.com/">
      <![CDATA[<div class="subhead">Rebrand Project Profile</div>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="EasyHeader.jpg" src="http://blog.widgetsandstone.com/EasyHeader.jpg" width="425" height="162" class="mt-image-none" style="" /></span></p>

<p><b>The Finest Ingredients + a Few New Spices = Recipe for Success</b></p>

<p>In 2005 Erik & Amanda Niel fulfilled a long held dream by opening their very own restaurant, Easy Seafood. After several good years in the business, they felt that the time was right to make a change to expand their culinary offerings. Along with a refined menu, they felt it would be appropriate to renovate the interior design to reflect the high quality of the food. A name change and a new visual identity were the order of the day to communicate these exciting changes to customers.</p>]]>
      <![CDATA[<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="EasyFood.jpg" src="http://blog.widgetsandstone.com/EasyFood.jpg" width="425" height="284" class="mt-image-none" style="" /></span><br />
<i>Photo copyright Jason Connel</i></p>

<p>Easy Seafood originally targeted tourists as its downtown location is very close to several popular attractions. Over the years the Niels discovered that, while getting business from tourists was fairly simple, attracting locals was proving more difficult -- and much more important for the off-season. So they made a decision to shift from a seafood restaurant to a bistro and bar.</p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="EasyTallTables.jpg" src="http://blog.widgetsandstone.com/EasyTallTables.jpg" width="425" height="245" class="mt-image-none" style="" /></span></p>

<p>By moving to a traditional bistro menu, Erik could elevate the food quality and maintain a more seasonal approach to the restaurant's offerings. Not only that, but he would be able to explore recipes that excite him and draw upon his training in classical French (and New Orleans) cuisine. A traditional bistro has a simple appeal - familiar, warm, inviting and uncomplicated. And by adding an expanded bar area, customers could feel free to relax and enjoy a drink in the company of friends without the larger commitment of a full meal.</p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="EasyBarLounge.jpg" src="http://blog.widgetsandstone.com/EasyBarLounge.jpg" width="425" height="281" class="mt-image-none" style="" /></span></p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="EasyHighCeiling.jpg" src="http://blog.widgetsandstone.com/EasyHighCeiling.jpg" width="425" height="635" class="mt-image-none" style="" /></span></p>

<p>Along with this change in the menu, Amanda Niel redesigned the interior of the restaurant to feel more upscale, open and comfortable. Elegant and understated black and white treatments showcase the historic space - simple tables, settings and tiled floors, vintage green highlights and antique mirrors add to the atmosphere. An expanded bar area with sofa seating and more varieties of tables add more seating.</p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="EasyPerfWhite.jpg" src="http://blog.widgetsandstone.com/EasyPerfWhite.jpg" width="425" height="283" class="mt-image-none" style="" /></span></p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="EasyMenusNapkinsBCs.jpg" src="http://blog.widgetsandstone.com/EasyMenusNapkinsBCs.jpg" width="425" height="526" class="mt-image-none" style="" /></span></p>

<p>Widgets & Stone was commissioned to work with the Niels and Brian May of <u><a href="http://www.maycreate.com">Maycreate Idea Group</a></u> to create the new identity of Easy Bistro & Bar. The design team drew heavily from the designs of traditional French bistros and restaurants in New Orleans' French Quarter. The decorative wrought ironwork featured on many historic homes in New Orleans provided the underlying curvelinear forms of the logo. The dotted treatment brings to mind the bulbs of old fashioned marquee lights and hints at the bright lights of Paris' 18th arrondissment.</p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="EasyRawDet.jpg" src="http://blog.widgetsandstone.com/EasyRawDet.jpg" width="425" height="285" class="mt-image-none" style="" /></span></p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="EasyNapkin.jpg" src="http://blog.widgetsandstone.com/EasyNapkin.jpg" width="425" height="419" class="mt-image-none" style="" /></span></p>

<p>The entire visual identity is strategically designed to communicate the bistro atmosphere and traditional French cuisine of Easy through multiple applications. Along with thoughtful placements of the logo on elegant coasters and in the entryway floor tile, various sized menus were designed to printed onsite each day by the chef. The typography on the menus and napkin rings exhibits a 'decorative eclecticism' historically associated with bistros. Napkin rings feature a variety of popular menu items, each in its own typeface.</p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="EasyTile.jpg" src="http://blog.widgetsandstone.com/EasyTile.jpg" width="425" height="344" class="mt-image-none" style="" /></span></p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="EasyTileRoom.jpg" src="http://blog.widgetsandstone.com/EasyTileRoom.jpg" width="425" height="612" class="mt-image-none" style="" /></span></p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="EasyPerfBla.jpg" src="http://blog.widgetsandstone.com/EasyPerfBla.jpg" width="425" height="283" class="mt-image-none" style="" /></span></p>]]>
    </content>
  </entry>

  <entry>
    <title>A Word to the Wise</title>
    <link rel="alternate" type="text/html" href="http://blog.widgetsandstone.com/archives/2008/06/a-word-to-the-w.html" />
    <modified>2008-06-17T15:40:38Z</modified>
    <issued>2008-06-17T10:10:00-05:00</issued>
    <id>tag:blog.widgetsandstone.com,2008://307.71392</id>
    <created>2008-06-17T14:10:00Z</created>
    <summary type="text/plain">Things we find ourselves saying often They say a &quot;word to the wise is sufficient&quot;, meaning (I suppose) that those with wisdom do not require much in the way of advice -- or at least all that much explanation or...</summary>
    <author>
      <name>widgeteer</name>
      <url>widgetsandstone.com</url>
      <email>rustand@widgetsandstone.com</email>
    </author>
    
    <content type="text/html" mode="escaped" xml:lang="en" xml:base="http://blog.widgetsandstone.com/">
      <![CDATA[<div class="subhead">Things we find ourselves saying often</div>

<p>They say a "word to the wise is sufficient", meaning (I suppose) that those with wisdom do not require much in the way of advice -- or at least all that much explanation or repetition. As designers, we have the opportunity to overlap with all kinds of very different disciplines, and (in our studio at least) we tend to overlap with talented and wise practitioners of those disciplines. Here are a few words of counsel we find ourselves giving out rather often in relation to the design of a "brand" either to clients or to other designers:</p>]]>
      <![CDATA[<p><b>To clients / business partners:</b></p>

<p>"The logo is not the brand. The brand is every contact that [your organization / product / service] has with internal staff and external customers... how you answer the phone, how you schedule appointments, how you serve walk-in customers, etc etc etc... all seen through their eyes. All of this adds up to a relationship with the customer. </p>

<p>"The Visual Identity is just one key component to who you are, especially in a marketplace that is so oversaturated with advertising messages."</p>

<p>---</p>

<p>"Even more important than what you [your organization / product / service] are doing is how it is received by your target audience. Where these overlap or intersect is where the perception of your brand is developed." [ see this diagram, click on it for a larger pop-up view: ]</p>

<form mt:asset-id="53" class="mt-enclosure mt-enclosure-image" style="display: inline;"><a href="http://blog.widgetsandstone.com/BrandDiagram.html" onclick="window.open('http://blog.widgetsandstone.com/BrandDiagram.html','popup','width=718,height=244,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://blog.widgetsandstone.com/BrandDiagram-thumb-425x144.jpg" width="425" height="144" alt="BrandDiagram.jpg" class="mt-image-none" style="" /></a></

<p>---</p>

<p>"In order to create the best environment for successful designs, we need to be in direct contact with key decision makers / key stakeholders at all phases of the design process: research and information gathering, strategy proposal + approval, and final design approval."</p>

<p>---</p>

<p>"The fewer decision makers / stakeholders involved in the design process (a CEO and a Marketing Director vs. a Development Committee of 9 members), the more efficient and more effective the finished results will be."</p>

<p>---</p>

<p>(Directly to our clients:) "You are not our client, YOUR customers are our clients. By serving and delighting them, we will serve and delight you."</p>

<p>---</p>

<p>"Look at your competition, how are you different? To gain advantage in the marketplace, you must clearly communicate your point(s) of differentiation. Why would someone choose your product or service over the competition's?"</p>

<p>---</p>

<p>"Unless you are the best or the cheapest in your field, the only way to differentiate from the competition is through design. This can be as elaborate as product design or the design of your corporate structure, or more simply as the identity or packaging or advertising design."</p>

<p>---</p>

<p><b>To colleagues and young designers:</b></p>

<p>"You get more of what you do, so be careful what work you take. If you do low-creative high paying-jobs, you will get more of them. The opposite is true as well. Work toward getting high-paying, high-creative jobs and more will come."</p>

<p>---</p>

<p>"Tibor Kalman said, 'Always work for someone smarter than you.' We carry that further, work for someone more inspiring than you."</p>

<p>---</p>

<p>"When working with clients in the business sector, be very careful to establish achievable and measurable objectives for the designs. These objectives provide the groundwork for good design -- they reassure the client that you understand their business needs. It also allows you to have authority over the 'subjective' aspects of the design, eg. it doesn't matter if the client is not so fond of the typeface you propose, as long as it achieves the business objectives. It becomes a tool to allow the most effective designs to be implemented."</p>

<p>---</p>

<p>"Milton Glaser said, 'work with your friends, or with people you could become friends with. Your work will be much better and more fulfilling.' We can't say it any better."</p>]]>
    </content>
  </entry>

  <entry>
    <title>ROCK/CREEK</title>
    <link rel="alternate" type="text/html" href="http://blog.widgetsandstone.com/archives/2008/06/rockcreek.html" />
    <modified>2008-06-12T14:33:29Z</modified>
    <issued>2008-06-12T09:23:36-05:00</issued>
    <id>tag:blog.widgetsandstone.com,2008://307.71475</id>
    <created>2008-06-12T13:23:36Z</created>
    <summary type="text/plain">Rebrand Case Study Rebranding a 20 year old retailer for growth / Outdoor equipment is not an end in itself...</summary>
    <author>
      <name>widgeteer</name>
      <url>widgetsandstone.com</url>
      <email>rustand@widgetsandstone.com</email>
    </author>
    
    <content type="text/html" mode="escaped" xml:lang="en" xml:base="http://blog.widgetsandstone.com/">
      <![CDATA[<div class="subhead">Rebrand Case Study</div>

<p><b>Rebranding a 20 year old retailer for growth / Outdoor equipment is not an end in itself</b></p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="LostFoundHeader.jpg" src="http://blog.widgetsandstone.com/LostFoundHeader.jpg" width="425" height="162" class="mt-image-none" style="" /></span></p>]]>
      <![CDATA[<p><b>The Overview</b></p>

<p>Rock/Creek is an independent outdoor retailer founded by former instructors with passion for outdoor sports. Their dedicated staff of enthusiasts and experts offers only the very best apparel and equipment to ensure that customers are comfortable and safe in the outdoors. With a rich 20 year history in Chattanooga, Tennessee and with its online shops (<u><a href="http://www.rockcreek.com">RockCreek.com</a></u> and <u><a href="http://www.climbinggear.com">ClimbingGear.com</a></u>), Rock/Creek provides quality outdoor clothing and gear for a host of activities including kayaking, rock climbing, camping, hiking, trail running, travel, and adventure racing. </p>

<p>Rock/Creek uses outdoor retail growth not as end in itself, but as a means to benefit the company and community it serves: to encourage outdoor recreation, environmental stewardship and to improve access to the backcountry. As part of this mission, Rock/Creek is a proud member of the Grassroots Outdoor Alliance, a group of independent outdoor shops dedicated to the sustainability of the specialty outdoor channel and the quality of the outdoor enthusiast's experience. </p>

<p><b>The Opportunity</b></p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="OldRCLogo.jpg" src="http://blog.widgetsandstone.com/OldRCLogo.jpg" width="425" height="164" class="mt-image-none" style="" /></span></p>

<p>Rock/Creek understood that its past is part of its future. Although the logo of 20 years (pictured above) had served them well, it was time for a new identity that would communicate all they are and all they bring to the outdoor experience across multiple brand applications. A new brand identity that would communicate:</p>

<p>/ a company that is established, strong and grounded<br />
/ products that are solid and safe<br />
/ focus that is centered around active sport yet is fashion-savvy<br />
/ a love of simple beauty</p>

<p>Rock/Creek needed a identity design that could lead the company's future growth.</p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="NewLogo.jpg" src="http://blog.widgetsandstone.com/NewLogo.jpg" width="425" height="135" class="mt-image-none" style="" /></span></p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="LogoBoard.jpg" src="http://blog.widgetsandstone.com/LogoBoard.jpg" width="419" height="300" class="mt-image-none" style="" /></span></p>

<p><b>The Strategy</b></p>

<p>Through the research process, Widgets & Stone was able to discover Rock/Creek's brand personality and articulate it this way:</p>

<p>"Rock/Creek is committed to taking people into the outdoors. You enable people to move out into the world in new ways, discovering pathless trails and open roads, with all the promise they hold. You help people to find themselves, get lost in the experience, and find themselves all over again. Good products and good advice.</p>

<p>"The good empowers. the good is powerful."</p>

<p>Realizing that Rock/Creek's strength rests not primarily in the apparel and equipment they sell, but in the human experiences that surround these products, the goal of the brand design was to:</p>

<p>/ draw out the way Rock/Creek improves customer's lives<br />
/ highlight customer experience and participation<br />
/ be inspirational without being intimidating<br />
/ remain true to the 20 year brick-and-mortar heritage<br />
/ connect all of the parts in a brand that can grow with the company</p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="CircleSticker.jpg" src="http://blog.widgetsandstone.com/CircleSticker.jpg" width="425" height="225" class="mt-image-none" style="" /></span></p>

<p>Because of the richness of the Rock/Creek name, and because of the variety of audiences, sports and skill levels they speak to, Widgets & Stone decided that they are better served by a "tagline engine" than a single, constant tagline. Utilizing the slash ( / ) element in the logo, a pair of positive appealing words would be matched to fit with the "both/and" zen appeal of many outdoor activites.</p>

<p>The photography chosen to accompany the various headlines should be both aspirational and accessible. It should embody a moment that is almost superhuman / a moment that is very human. A moment that feels far from everyday life / a moment that is within reach.</p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="BannersHoriz.jpg" src="http://blog.widgetsandstone.com/BannersHoriz.jpg" width="425" height="531" class="mt-image-none" style="" /></span></p>

<p>To continue to differentiate from other outdoor brands, Widgets & Stone directed that all photographs should be of high professional quality, yet have a look that feels effortless -- the magic of capturing a fleeting moment forever. Any image that seems overly polished or staged will undermine the immediacy and integrity of the brand. Instead, each image should strike the viewer as 'untouched', 'unprocessed' and 'natural' in its technical treatment, as well as in the setting and activities shown.</p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="VertBanners2.jpg" src="http://blog.widgetsandstone.com/VertBanners2.jpg" width="425" height="444" class="mt-image-none" style="" /></span></p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="AdsVert.jpg" src="http://blog.widgetsandstone.com/AdsVert.jpg" width="425" height="576" class="mt-image-none" style="" /></span></p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="AdsHoriz.jpg" src="http://blog.widgetsandstone.com/AdsHoriz.jpg" width="425" height="479" class="mt-image-none" style="" /></span></p>

<p>Because Rock/Creek is a company that cares about great performance with reduced environmental impact, Widgets & Stone recommended that materials and packaging choices be made to reduce, recycle, reuse and dematerialize whenever possible. With all this in mind, the Widgets & Stone team created a wide array of brand materials for Rock/Creek: logo, stationery, company materials, packaging, signage, e-blast templates, clothing and more.</p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Hangtags.jpg" src="http://blog.widgetsandstone.com/Hangtags.jpg" width="425" height="343" class="mt-image-none" style="" /></span></p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Bag.jpg" src="http://blog.widgetsandstone.com/Bag.jpg" width="425" height="576" class="mt-image-none" style="" /></span></p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Web.jpg" src="http://blog.widgetsandstone.com/Web.jpg" width="425" height="318" class="mt-image-none" style="" /></span></p>

<p><b>The Results</b></p>

<p>Even though it has only been 8 months since the rebrand implementation started, Rock/Creek has already seen positive results from the design strategy. The company is being recognized as a leader in specialty outdoor retail and has been featured in national publications (like Outdoor Business) for their savvy brand development. Inside the industry, vendors recognize the quality of the brand and are responding favorably to Rock/Creek's leadership. And despite economic challenges and slowing growth industry-wide, Rock/Creek has seen consistent double-digit growth since the rebrand. </p>

<p><i>"All of the feedback we've had on the identity has been positive.The reaction within our vendor community has been the biggest source of validation for me personally-- we have been told by several vendors that there simply are no other specialty retailers doing anything like this. The standard identities [for specialty retailers in our industry] often look like watered-down imitations of major national brands. </p>

<p>"By contrast, our brand is bold, forward-thinking and fresh. It is uniquely 'Rock/Creek.' Widgets & Stone has captured the core of how we understand ourselves as retailers and has incorporated our heritage into a new, exciting brand that we love. </p>

<p>"More than just the final product, however, Widgets & Stone's process of discovery has enormous value. The team's method and the thoughtful nature of their work has reinvigorated our own sense of direction and has given us a valuable focus for future growth."</i></p>

<p><b>Mark McKnight<br />
Marketing and Creative Director, Rock/Creek</b></p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Tshirt.jpg" src="http://blog.widgetsandstone.com/Tshirt.jpg" width="425" height="313" class="mt-image-none" style="" /></span></p>]]>
    </content>
  </entry>

  <entry>
    <title>Neutron Branding Workshops</title>
    <link rel="alternate" type="text/html" href="http://blog.widgetsandstone.com/archives/2008/05/neutron-branding-workshops.html" />
    <modified>2008-06-06T20:58:28Z</modified>
    <issued>2008-05-22T15:35:49-05:00</issued>
    <id>tag:blog.widgetsandstone.com,2008://307.70786</id>
    <created>2008-05-22T19:35:49Z</created>
    <summary type="text/plain">Widgets &amp; Stone partners with AIGA Chattanooga to bring in Marty Neumeier’s renowned brand coaching team Widgets &amp; Stone is pleased to sponsor two branding workshops for business leaders and branding professionals on Thursday, September 11, 2008. Workshops will include...</summary>
    <author>
      <name>widgeteer</name>
      <url>widgetsandstone.com</url>
      <email>rustand@widgetsandstone.com</email>
    </author>
    
    <content type="text/html" mode="escaped" xml:lang="en" xml:base="http://blog.widgetsandstone.com/">
      <![CDATA[<div class="subhead">Widgets & Stone partners with AIGA Chattanooga to bring in Marty Neumeier’s renowned brand coaching team</div>

<p><br />
Widgets & Stone is pleased to sponsor two branding workshops for business leaders and branding professionals on Thursday, September 11, 2008. Workshops will include a morning keynote and afternoon brand exercises by Marty Neumeier, Neutron’s founder. He’s the author of two bestselling “whiteboard overviews,” <i>The Brand Gap</i> and <i>Zag</i>. BusinessWeek calls Marty Neumeier “the only brand expert who writes big-idea books filled with practical how-to advice that can be read on a brief plane ride.” Assisting Marty Neumeier will be session coach, and Neutron’s epiphany engineer, Josh Levine.</p>

<p><img alt="Neutron.jpg" src="http://blog.widgetsandstone.com/archives/Neutron.jpg" width="194" height="127" border="0" /><br />
</p>]]>
      <![CDATA[<p><b>The Workshops</b><br />
Each 3-hour workshop is targeted either to business leaders or to branding professionals. The <b>Intro to New Branding</b> workshop will be most useful to business leaders seeking to gain a better understanding of how to marry strategy and design to build a strong brand. The second workshop, <b>Radical Differentiation</b>, will be useful to experienced brand managers and creative professionals seeking to communicate a brand message to its target audience.</p>

<p>Each workshop is $100 and initial spaces are reserved for an “invitation-only” audience. Once these individuals have had an opportunity to respond, the remaining seats will be offered to the public. If you are interested in being on the standby list, please contact  Paul Rustand immediately at info@widgetsandstone.com or 266-2221.</p>

<p><b>Intro to New Branding Workshop</b><br />
In this foundational workshop, based on the bestselling book <i>The Brand Gap</i>, you’ll learn how to bridge business strategy and design to build a “charismatic brand”—a brand for which customers believe there’s no substitute. But first you’ll need to master the five disciplines of brand: differentiation, collaboration, innovation, validation, and cultivation. Throughout a full session of learning, lively content is punctuated with collaborative exercises to help you internalize valuable skill sets. By the end of the workshop you’ll have the knowledge and inspiration to organize your career—and your company—around a new definition of brand.</p>

<p>What you’ll learn<br />
› Why brand is now critical to every business<br />
› The relationship between brand and margin<br />
› How big ideas cut costs and magnify drive<br />
› The new formula for customer trust<br />
› Why tribal identity trumps features and benefits<br />
› What Hollywood and the Renaissance can teach<br />
› The 3 basic models for collaboration<br />
› The relationship between positioning and aesthetics<br />
› How to identify good and bad extensions<br />
› When prototyping beats strategizing<br />
› What kinds of research feed innovation<br />
› The advantages of icons and avatars over logos<br />
› 7 guidelines for developing a brand name<br />
› How to quick-test concepts before you launch<br />
› The three main reasons websites fail<br />
› How to work around the “fear of stupid”</p>

<p>What you’ll get<br />
› Binder with full workshop content plus extras<br />
› Copy of <i>The Brand Gap</i> book<br />
› CD of the presentation to share with your team<br />
› New perspectives on your company and career</p>

<p><b>Radical Differentiation</b><br />
Drill down into the number-one discipline of high-performance brands—radical differentiation. In today’s cluttered marketplace, it’s not enough to be different. You need perpetual innovation to keep up with the speed of change. </p>

<p>Put your brand skills to the test as you take one of four well-known brands through the rigors of radical differentiation in this half-day lab. Under the guidance of Neutron Zagmeister Marty Neumeier and brand coach Josh Levine, you’ll work through a series of exercises based on Neutron’s “radical differentiation” process. By the end of the workshop you’ll get a head start on applying the fundamentals of brand positioning and messaging.</p>

<p>This half-day lab is for the seasoned marketing or brand professional and is based on Neumeier's best-selling book <i>Zag</i>. <br />
 <br />
Acceptance into this 3-hour workshop is by invitation only.</p>

<p><b>Who should come?</b><br />
The workshops are designed for all professionals engaged in building brands, including brand managers, marketing directors, designers, strategists, communications directors, account planners, web designers, product designers, creative directors, PR specialists, marketing and design instructors, CEOs, entrepreneurs, and others. A key benefit is the chance to collaborate with professionals in other companies, other industries, and other roles to get a broad view of the brand-building process while expanding your business network.</p>

<p><b>About Neutron</b><br />
Neutron is a unique firm in San Francisco that explores the intersection of business and design. The firm specializes in 1) developing and publishing powerful concepts that link business, brand, innovation, and design; and 2) coaching corporations through the full range of brand-building activities.<br />
<u><a href="http://www.neutronllc.com">Neutron</a></u></p>

<p><b>ABOUT AIGA</b><br />
AIGA’s mission is to advance designing as a professional craft, strategic tool and vital cultural force. AIGA is the place design professionals turn to first to exchange ideas and information, to participate in critical analysis and research, and to advance education and ethical practice. For more information on AIGA, go to <u><a href="http://www.aiga.org/">AIGA</a></u>.  For more information on AIGA|Chattanooga, go to <u><a href="http://www.aiga50.org/">www.AIGA50.org</a></u>.<br />
</p>]]>
    </content>
  </entry>

  <entry>
    <title>Widgets &amp; Stone Public Presentation</title>
    <link rel="alternate" type="text/html" href="http://blog.widgetsandstone.com/archives/2008/05/widgets-stone-public-presentation.html" />
    <modified>2008-06-06T20:58:26Z</modified>
    <issued>2008-05-19T15:19:40-05:00</issued>
    <id>tag:blog.widgetsandstone.com,2008://307.70686</id>
    <created>2008-05-19T19:19:40Z</created>
    <summary type="text/plain">at AVA’s ArtSpeak June 10,2008 Art Speak / Design’s Community Tuesday, June 10, 5:30-6:30pm Presenting: Widgets and Stone Admission: Free and open to the public at AVA Design has always had a dramatic impact on visual culture, and as media...</summary>
    <author>
      <name>widgeteer</name>
      <url>widgetsandstone.com</url>
      <email>rustand@widgetsandstone.com</email>
    </author>
    
    <content type="text/html" mode="escaped" xml:lang="en" xml:base="http://blog.widgetsandstone.com/">
      <![CDATA[<div class="subhead">at AVA’s ArtSpeak June 10,2008</div>

<p>Art Speak / Design’s Community<br />
Tuesday, June 10, 5:30-6:30pm<br />
Presenting: Widgets and Stone<br />
Admission: Free and open to the public at <u><a href="http://www.avarts.org/">AVA</a></u></p>

<p>Design has always had a dramatic impact on visual culture, and as media seeps into every corner of contemporary society, design is playing an even greater role in shaping our lived environment and our sense of self as a community. This presentation will focus on one Chattanooga studio’s belief in the potential for design to impact community and to effect positive change at the local level.</p>]]>
      <![CDATA[<p>The core design team from Widgets & Stone, Paul Rustand and Joseph Shipp, will be there with dedicated collaborators Matt Greenwell and Caleb Ludwick to talk about the studio’s evolving philosophy, process and work. Please join us. And while you’re at AVA you can check out a Widgets & Stone Case Study in AIGA Chattanooga’s exhibit: </p>

<p><b>DESIGN@WORK</b></p>

<p>AIGA|Chattanooga presents DESIGN@WORK a small collection of case studies exhibiting the effectiveness of design thinking applied to business challenges both commercial and social.</p>

<p><b>WHAT IS DESIGN THINKING?</b><br />
True design thinking is more than making an item or concept visually appealing. Beyond the buzzwords of "strategic thinking" and "brand building," it is a methodology for organizing priorities and solving problems. A 360º view of needs, solutions and how to communicate them. </p>

<p><b>WHAT DOES IT DO FOR BUSINESS?</b><br />
The analytical approach of design thinking enables business to bridge the gap between concept and product. Between product and consumer. It can discover innovative approaches to generating greater return on investment, fostering emotional connections and providing positive brand experiences for customers. But it can also communicate issues of corporate responsibility and activate consumers to participate in their communities.</p>

<p>DESIGN@WORK features case studies from the work of the members of AIGA|Chattanooga. Representing a variety of industries, and design thinkers — from small studio to large agency to the inhouse design team — each example demonstrates the broadening role design plays in business strategy, leadership, process and product. </p>

<p><b>ABOUT AIGA</b><br />
AIGA’s mission is to advance designing as a professional craft, strategic tool and vital cultural force. AIGA is the place design professionals turn to first to exchange ideas and information, to participate in critical analysis and research, and to advance education and ethical practice. For more information on AIGA, go to <u><a href="http://www.aiga.org/">AIGA</a></u>.  For more information on AIGA|Chattanooga, go to <u><a href="http://www.aiga50.org/">www.AIGA50.org</a></u>.<br />
</p>]]>
    </content>
  </entry>

  <entry>
    <title>Rock/Creek Rebrand Wins Gold at TEN Show</title>
    <link rel="alternate" type="text/html" href="http://blog.widgetsandstone.com/archives/2008/05/rockcreek-rebrand-wins-gold-at-ten-show.html" />
    <modified>2008-06-06T20:57:21Z</modified>
    <issued>2008-05-19T12:00:58-05:00</issued>
    <id>tag:blog.widgetsandstone.com,2008://307.70677</id>
    <created>2008-05-19T16:00:58Z</created>
    <summary type="text/plain">Rock/Creek and Widgets &amp; Stone announce victory at the 2008 AIGA TEN Show.  Coming out on top with a Gold Medal, Widgets &amp; Stone won the Brand Identity category with Rock/Creek rebrand. Under Design Director Paul Rustand, designers Matt Greenwell, Brad...</summary>
    <author>
      <name>widgeteer</name>
      <url>widgetsandstone.com</url>
      <email>rustand@widgetsandstone.com</email>
    </author>
    
    <content type="text/html" mode="escaped" xml:lang="en" xml:base="http://blog.widgetsandstone.com/">
      <![CDATA[<p><b>Rock/Creek and Widgets & Stone announce victory at the 2008 AIGA TEN Show.</b> </p>

<p>Coming out on top with a Gold Medal, Widgets & Stone won the Brand Identity category with Rock/Creek rebrand. Under Design Director Paul Rustand, designers Matt Greenwell, Brad Dicharry, and Joseph Shipp, Widgets & Stone created the new “Rock/Creek” brand identity. Caleb Ludwick served as strategist/writer on the project, Mark McKnight contributed photography, and Steve West contributed to production. </p>]]>
      <![CDATA[<p>“For Widgets & Stone the Rock/Creek brand development project was wonderful on many levels,” said Paul Rustand. “It was an honor and a privilege to be able to work with the great individuals who lead such an established and successful local business. The scope of the project — to redesign everything from the logo to the signage to the advertising to the packaging — is what every design studio seeks. In addition to their forward-thinking approach to the brand identity, Rock/Creek had an impeccable grasp of their target demographics, which proved invaluable to the design process. And last, but certainly not least, the mutual respect that we experienced throughout the course of the project between client and designer was fantastic.”  </p>

<p>The AIGA is the nationally-recognized professional association for design. AIGA is “the place design professionals turn to first to exchange ideas and information, participate in critical analysis and research and advance education and ethical practice. AIGA sets the national agenda for the role of design in its economic, social, political, cultural and creative contexts.” For the third year, the four AIGA chapters in Tennessee (Chattanooga, Knoxville, Memphis and Nashville) held a competition called the TEN Show for all designers and students in the state. This friendly competition allows designers and creators to come together to exchange ideas and show off their work.</p>

<p>Among the many AIGA members, Widgets & Stone, a Chattanoooga-based design firm, entered their branding work for Rock/Creek as one of this year’s projects. The two companies have been working diligently for over two years to launch a comprehensive re-branding campaign that has positioned Rock/Creek's brick-and-mortar stores as well as its e-commerce Web site for future growth within the outdoor retail industry. The challenge presented to Widgets & Stone was to develop a brand that conveys Rock/Creek's status as a company with over 20 years of brick and mortar experience, a company that has inspired customers to take adventures both on and off the trail. Rock/Creek focuses on getting its customers into the outdoors safely and comfortably. Widgets & Stone emphasized Rock/Creek not only as a retail company that sells apparel and equipment, but also as a company that focuses on the human experiences that surround these products.</p>

<p>“All of the feedback we’ve had on the identity has been positive,” said Mark McKnight, creative director at Rock/Creek. “The reaction within our vendor community has been the biggest source of validation for me personally— we have been told by several vendors that there simply are no other specialty retailers doing anything like this.” </p>

<p><br />
<u><a href="http://www.aiga.org/">AIGA</a></u></p>

<p><u><a href="http://www.tenshow.org/">The TEN Show</a></u></p>

<p><u><a href="http://www.flickr.com/photos/13545114@N06/2378089079/">2008 TEN Show on Flickr</a></u></p>

<p><u><a href="http://www.rockcreek.com">Rock/Creek</a></u></p>

<p> <br />
<i>The Rock/Creek press release, also reprinted in Chattanooga Times Free Press on Wed May 15:</i><br />
</p>]]>
    </content>
  </entry>

  <entry>
    <title>4 BRIDGES ARTS FESTIVAL</title>
    <link rel="alternate" type="text/html" href="http://blog.widgetsandstone.com/archives/2008/05/4-bridges-arts-festival.html" />
    <modified>2008-06-06T20:58:18Z</modified>
    <issued>2008-05-07T12:00:54-05:00</issued>
    <id>tag:blog.widgetsandstone.com,2008://307.70129</id>
    <created>2008-05-07T16:00:54Z</created>
    <summary type="text/plain">2008 Campaign Case Study REBUILDING A BRIDGE BETWEEN ARTS AND A COMMUNITY : ART FOR EVERYONE The Overview Produced by AVA, the Association for Visual Arts, the 4 Bridges Arts Festival is an annual juried event featuring original art for...</summary>
    <author>
      <name>widgeteer</name>
      <url>widgetsandstone.com</url>
      <email>rustand@widgetsandstone.com</email>
    </author>
    
    <content type="text/html" mode="escaped" xml:lang="en" xml:base="http://blog.widgetsandstone.com/">
      <![CDATA[<div class="subhead">2008 Campaign Case Study</div>

<p><img alt="4BHeader.jpg" src="http://blog.widgetsandstone.com/archives/4BHeader.jpg" width="425" height="162" border="0" /></p>

<p><b>REBUILDING A BRIDGE BETWEEN ARTS AND A COMMUNITY : <br />
ART FOR EVERYONE</p>

<p>The Overview</b></p>

<p>Produced by <u><a href="http://www.avarts.org/">AVA</a></u>, the Association for Visual Arts, the <u><a href="http://www.4bridgesartsfestival.org/">4 Bridges Arts Festival</a></u> is an annual juried event featuring original art for every style and budget by national, regional and local artists. The festival is very competitive, admitting only 150 artists (21% of all applicants) to represent the finest contemporary and traditional art. Artists working in a variety of media are represented — painting, sculpture, jewelry, photography, fiber, wood, and metal to name a few.</p>]]>
      <![CDATA[<p>The Festival has made its home in a reclaimed manufacturing facility — a three-story open-air site now known as the First Tennessee Pavilion, which offers 50,000 square feet of unique, accessible and weatherproof art exhibit space. All this art combined with hands-on art activities for children, acoustic musical performances and a wide variety of food and drink, is why 4 Bridges Arts Festival has been noted as a Top 100 Fine Arts Show by <i>Sunshine Artist Magazine</i>.</p>

<p>4 Bridges Arts Festival is a free and family-friendly event which has grown in size and stature to now be one of the highest profile cultural events in Chattanooga.</p>

<p><img alt="4BPoster.jpg" src="http://blog.widgetsandstone.com/archives/4BPoster.jpg" width="427" height="673" border="0" /></p>

<p><b>The Opportunity</b></p>

<p>The 4 Bridges Arts Festival is extremely dependent on a distinct and compelling promotional campaign to attract both Patron Program donors and general public attendees to the event. In the past Patron Program donors and 20,000+ festival attendees have combined with the arts community for a $1 million in economic impact in Chattanooga over the weekend.</p>

<p>4 Bridges sought to build on the successful promotional campaign of 2007 to continue to raise the profile and the awareness of the festival through a cohesive visual identity <i>(see samples of 2007 campaign in our “Happy New Work” QT on our main page)</i>. For the second year in a row, Widgets & Stone was comissioned to create the promotional campaign.</p>

<p>With a limited promotional budget, the festival needed to maximize the impact of a few select advertising and print opportunities. The visual identity of the 2008 campaign needed to be unique, memorable and clearly related across multiple media.</p>

<p><img alt="4BTicket.jpg" src="http://blog.widgetsandstone.com/archives/4BTicket.jpg" width="427" height="177" border="0" /></p>

<p><img alt="4BBrochureCard.jpg" src="http://blog.widgetsandstone.com/archives/4BBrochureCard.jpg" width="427" height="413" border="0" /></p>

<p><b>The Strategy</b></p>

<p>Each year the festival commissions a different artist to create an original piece for its poster. Encaustic artist Patricia DeLeon Alfonso was selected to create the art for 2008. As her work naturally exhibits a cohesive visual style, Widgets & Stone designed the campaign identity of 2008 to be built around several different pieces by Alfonso.</p>

<p>Seeking to capitalize on the brand equity established in the 4 Bridges campaign of 2007, Widgets & Stone decided to build on elements of that visual style. In particular, the design utilized the die-cut stencil concept that allowed the art to be revealed through the festival’s iconic logo. The 2008 campaign carried the idea further, making the typography a stencil through which the art is revealed.</p>

<p>Through the cohesive work of the artist and the consisent typographic designs, the campaign’s visual identity is clearly established across a wide variety of media an applications — from posters to ads, from tickets to brochures, from web banner ads to billboards.</p>

<p><img alt="4BAd1.jpg" src="http://blog.widgetsandstone.com/archives/4BAd1.jpg" width="427" height="534" border="0" /></p>

<p><img alt="4BAd2.jpg" src="http://blog.widgetsandstone.com/archives/4BAd2.jpg" width="427" height="252" border="0" /></p>

<p><img alt="4BAd3.jpg" src="http://blog.widgetsandstone.com/archives/4BAd3.jpg" width="427" height="540" border="0" /></p>

<p><b>The Results</b></p>

<p>The 2 day festival had over 25,000 attendees in 2008, with the majority of them (57%*) finding out about the event through the print ad campaign. Almost $517,000** in art was purchased and the total economic impact is estimated to be $1.5 million. </p>

<p><img alt="4BHeader.jpg" src="http://blog.widgetsandstone.com/archives/4BHeader.jpg" width="425" height="162" border="0" /></p>

<p><i>*Information calculated from attendee  surveys<br />
**Information calculated from Artist surveys </i></p>]]>
    </content>
  </entry>

  <entry>
    <title>You Learn Something New Everyday</title>
    <link rel="alternate" type="text/html" href="http://blog.widgetsandstone.com/archives/2008/04/you-learn-something-new-everyday.html" />
    <modified>2008-06-06T20:58:08Z</modified>
    <issued>2008-04-18T17:27:41-05:00</issued>
    <id>tag:blog.widgetsandstone.com,2008://307.69425</id>
    <created>2008-04-18T21:27:41Z</created>
    <summary type="text/plain">…especially this summer. Our Design Director, Paul Rustand, has been accepted to the AIGA’s “Business Perspectives for Creative Leaders” at the Yale School of Management, July 27 - August 1, 2008. This program of AIGA and the Yale School of...</summary>
    <author>
      <name>widgeteer</name>
      <url>widgetsandstone.com</url>
      <email>rustand@widgetsandstone.com</email>
    </author>
    
    <content type="text/html" mode="escaped" xml:lang="en" xml:base="http://blog.widgetsandstone.com/">
      <![CDATA[<div class="subhead">…especially this summer.</div>

<p>Our Design Director, Paul Rustand, has been accepted to the AIGA’s “Business Perspectives for Creative Leaders” at the Yale School of Management, July 27 - August 1, 2008. This program of AIGA and the Yale School of Management helps creative leaders to learn top management perspectives and become more productive partners in communication, branding and product development strategies.</p>

<p>After being encouraged (and nominated) several times by <u><a href="http://www.tricycleinc.com/page/tricycle/management/">Michael Hendrix</a></u>, Chief Brand Officer at <u><a href="http://www.tricycleinc.com">Tricycle</a></u>, Paul has decided to take him up on the offer. Michael attended one of the early programs at Harvard School of Business several years ago and insists that it will prove exceptionally useful in helping to develop design strategies for business — for both Widgets & Stone and our clients.</p>

<p>Looking forward to it!</p>]]>
      <![CDATA[<p><b>About Business Perspectives for Creative Leaders</b> </p>

<p>“Business Perspectives for Creative Leaders” draws on the strength of the Yale School of Management experience to help creative leaders discover opportunities within the forces transforming the business social environments. The knowledge gained will enable them to assume the complex task of leading and making a difference in a world where change has become the only constant.</p>

<p>A select group of senior-level creative leaders come together to discuss, network, debate and grow with each other. “Business Perspectives for Creative Leaders” is designed exclusively for design executives who work with designers or clients to develop strategic design responses to client challenges. This response may be in the form of a comprehensive communication or positioning strategy, or the design of a range of products or services. Participants are likely to view the design process as an integral part of solving complex problems, whether that experience involves communication, functional or strategic design. This program is particularly beneficial to design professionals who deal with top-level executives and/or larger corporate clients.</p>

<p>The program will explore timely topics to help participants understand significant transformations and technological advances in the business world, apply financial tools and strategic analysis, and capitalize on new client opportunities.</p>

<p><b> The Curriculum</b><br />
Developed by Yale School of Management and AIGA, “Business Perspectives for Creative Leaders” uses case studies, lectures, guest speakers and study groups to give creative leaders a more complete understanding of business and design through the eyes of business executives (i.e., clients).</p>

<p>“Business Perspectives for Creative Leaders” examines cutting edge topics, addresses critical issues and engages top minds in dynamic discussion. This program will help participants to understand the senior business executive’s perspective: his/her approach to cost-based decisions, marketing, new product development, strategy, brand management, customer relationship and knowledge management. Acquire useful tools in communicating with clients and running a business; understand individual thinking styles, hints on structuring conversations with CEOs and other senior executives, and explore important and relevant ideas that participants might take to their clients with real world solutions.</p>

<p>Expect an intensive learning experience and ongoing interaction with other participants. “Business Perspectives for Creative Leaders” is a full commitment. Do not plan to get other work done while attending the program. Time not spent in the classroom is spent in discussion groups and preparation for classes.</p>]]>
    </content>
  </entry>

  <entry>
    <title>TIPS, TRICKS and TOOLS of the TRADE v 3</title>
    <link rel="alternate" type="text/html" href="http://blog.widgetsandstone.com/archives/2008/04/tips-tricks-and-tools-of-the-trade-v-3.html" />
    <modified>2008-06-06T20:58:01Z</modified>
    <issued>2008-04-16T10:22:26-05:00</issued>
    <id>tag:blog.widgetsandstone.com,2008://307.69289</id>
    <created>2008-04-16T14:22:26Z</created>
    <summary type="text/plain">Potentially useful design stuff... version 3 Creative Business Strategy: I became familiar with David Baker of ReCourses through the AIGA e-newsletter “Design:Business” several years ago. But it was only recently that I began to take note of his site and...</summary>
    <author>
      <name>widgeteer</name>
      <url>widgetsandstone.com</url>
      <email>rustand@widgetsandstone.com</email>
    </author>
    
    <content type="text/html" mode="escaped" xml:lang="en" xml:base="http://blog.widgetsandstone.com/">
      <![CDATA[<div class="subhead">Potentially useful design stuff... version 3</div>

<p><b>Creative Business Strategy:</b></p>

<p>I became familiar with David Baker of ReCourses through the AIGA e-newsletter “Design:Business” several years ago. But it was only recently that I began to take note of his site and his consulting advice in the form of free position papers and podcasts. If you are a principal in a “creative” agency or even if you run your own small shop, I highly recommend signing up for his free monthly advice and taking advantage of his publications.</p>

<p><u><a href="http://www.recourses.com">Recourses</a></u></p>

<p><u><a href="http://www.recourses.com/position_papers/">Position Papers (downloadable PDFs)</a></u></p>]]>
      <![CDATA[<p>Also extremely useful is Marty Neumeier’s company and web site: <u><a href="http://www.neutronllc.com/">Neutron LLC</a></u>. Not only is he the author of some very helpful books (<i>The Brand Gap</i> and <i>Zag</i>), but he also provides training, workshops and e-newsletters. He will be in Chattanooga on September 11, 2008 to give two workshops, one for entrepreneurs and business leaders to learn about the “new branding”, another for branding professionals to learn more about “brand messaging”. Stay tuned to our blog and <u><a href="http://www.aiga50.org">AIGA Chattanooga</a></u> for more info on that event.</p>

<p>And this online book-work-in-progress has been interesting and useful to me: <u><a href="http://visual-branding.com">Visual Branding</a></u>. It's by Tom Dorresteijn, a partner in internationally renowned <u><a href="http://www.studiodumbar.com/main.php">Studio Dumbar</a></u>.</p>

<p><b>Learn to write, then use presentations as a way to entertain as well as educate:</b></p>

<p>I can’t tell you how much I wish I had spent more time learning to write back in school — the day I decided to drop out of my English major was the semester I took Grammatical Writing. But now I am called on to utilize those grammatical skills on a daily basis. </p>

<p>My advice to people like me: find entertaining and informative writing and copy it. Copy it directly at first, word for word. Then you'll learn a thing or two about how that author structures his/her thoughts and you can begin to emulate that while developing your own style. You can see I am still learning...</p>

<p>Then, when it comes time to present that presentation you wrote, think about it as a sort of performance. I have heard that Landor is employing skits and improvisational techniques in their presentations now. We have experimented (thanks to a very open and creative client) with atypical or unexpected presentation techniques: strange locations, outfits/uniforms of sorts, old-fashioned overhead projectors, sound tracks and so on. Not only do they make the presentations entertaining and memorable, but they make the client feel free to step outside normal “meeting” moirees and expectations. It can really help your client to become more open to creative ideas.</p>

<p>But be wise: know your client well and know how far you can push the envelope. Don’t overdo it or they will not trust you...</p>

<p><b>Enviro-Friendly Office Supplies:</b></p>

<p><u><a href="http://www.thegreenoffice.com/">The Green Office</a></u></p>

<p><u><a href="http://greenearthofficesupply.stores.yahoo.net/">Green Earth Office Supply</a></u></p>

<p><b>Nifty Photoshop Tool:</b></p>

<p>In an earlier Tips, Tricks and Tools of the Trade we referred you to a web site <u><a href="http://www.livesurface.com/index.php">LiveSurface</a></u> for cool in-perspective comping... Since then we have learned how to do it ourselves in Photoshop CS3. Learn how here:</p>

<p><u><a href="http://www.adobe.com/designcenter/photoshop/articles/phscs2vanpoint_met.html">Design Center Tutorial: Vanishing Point</a></u></p>

<p><b>Some ways to Make A Design (that doesn’t suck) Very Quickly:</b></p>

<p>- take a graphic element/icon/logo/symbol/letter and step + repeat it into a pattern or turn it into a radial, then repeat or randomize or overlap</p>

<p>- minimize — leave as much empty “whitespace” (or whatever color you are working with) as possible </p>

<p>- use existing graphic language and repurpose or recontextualize for your pruposes — for example, I like to use dingbats, symbols or punctuation and modify small parts of them. Or I might use international signage symbols and overlap them or juxtapose contrasting signs (like a hiker and a Flammable sign).</p>

<p>- make it by hand. Or take something commonly seen as mechanized and render it by hand (eg LED letters drawn with charcoal)</p>

<p>- take a letter or number or punctuation symbol and make it big. And remember if it ends up big and ugly, its not big enough. If its as big as it can get and its still big and ugly, make it red.</p>]]>
    </content>
  </entry>

  <entry>
    <title>STUDY of a CASE STUDY</title>
    <link rel="alternate" type="text/html" href="http://blog.widgetsandstone.com/archives/2008/03/study-of-a-case-study.html" />
    <modified>2008-06-06T20:57:36Z</modified>
    <issued>2008-03-06T17:45:15-05:00</issued>
    <id>tag:blog.widgetsandstone.com,2008://307.67793</id>
    <created>2008-03-06T22:45:15Z</created>
    <summary type="text/plain">Sequatchie Cove Farm Brand Strategy A couple weeks after my blog entry on my inability to provide top notch strategy to my clients, I had to write up a “brand strategy” document for Sequatchie Cove Farm (SCF). And I thought...</summary>
    <author>
      <name>widgeteer</name>
      <url>widgetsandstone.com</url>
      <email>rustand@widgetsandstone.com</email>
    </author>
    
    <content type="text/html" mode="escaped" xml:lang="en" xml:base="http://blog.widgetsandstone.com/">
      <![CDATA[<div class="subhead">Sequatchie Cove Farm Brand Strategy</div>

<p>A couple weeks after my <u><a href="http://blog.widgetsandstone.com/archives/065990.html">blog entry on my inability to provide top notch strategy to my clients</a></u>, I had to write up a “brand strategy” document for Sequatchie Cove Farm (SCF). And I thought I did a pretty good job within the limitations.</p>

<p>But the success of their farm is important to me personally — as much as the success of the brand is to me professionally. So I wanted to post the document here and use it as a reference tool: for those of you interested in learning a bit about how we do strategy here at the studio, but also for me to mine the brains of those of you who are more strategic thinkers than I. Please comment and critique.</p>

<p>But I will warn you — it is a bit long. I will try to break it up with pretty pictures.</p>]]>
      <![CDATA[<p>We have been working with SCF — Bill and Miriam Keener, Nathan and Padgett Arnold and Jim and Emily Wright and an assortment of interns — for around a year to help them think about how to develop a brand. They are a small local farm that cultivates a biodiverse environment. The health of the land, water, air, livestock, and humans are all linked inextricably, and they make farming decisions with this basic philosophy. They raise healthy fruit and vegetables, healthy and content animals in order to provide a product healthy for consumption, the environment, and the whole human ecology. </p>

<p>As you might guess, they don’t have a logo or promotional materials or packaging. And on top of that, they don’t really have a budget for them either. </p>

<p>This is the third of 3 documents we (Caleb Ludwick and I) have drafted for them so far. The first document was a report based on an extensive interview we did with them to learn about the farm, its goals and its potential audiences. The second document was a visual identity proposal with some packaging and promotion concepts. This document is a synthesis of the first two, but adds thoughts/reasons on how and why to implement the brand.</p>

<p>Let me know what you think.</p>

<p>---</p>

<p><b>SEQUATCHIE COVE BRAND STRATEGY</p>

<p>Introduction</b><br />
It has been quite some time since we started down the road toward creating a cohesive and recognizable Sequatchie Cove Farm “brand.” The process has not been unlike efforts of the Slow Food movement, our own sort of “Slow Design” approach — to let things develop slowly and more naturally than the typical American fastfood / email / FedEx /instantaneous results approach.</p>

<p>But along with this slower more organic approach, it is easy to forget what happened in earlier seasons to bring us to the place we are now. So let us do a little review.</p>

<p>---</p>

<p><b>Brand Identity</b><br />
We call it “brand” and “identity”, but it’s ultimately about communication</p>

<p>1. who you are<br />
2. where you are going<br />
3. what your customers know to expect when they see your name</p>

<p><br />
And about communicating to a variety of audiences<br />
Who share one thing in common… eating.</p>

<p>(as you might guess, that doesn’t really narrow it down)</p>

<p>So how do we create a design that captures and communicates so much?</p>

<p>---</p>

<p><b>Sequatchie Cove Farm’s Brand Promise</b><br />
(a short summary of our conversation about your core values, personality, and mission)</p>

<p>You already understand that “brand” means much more than simply a logo or messaging. That it involves every contact with every customer.</p>

<p>Because ultimately it involves the customer’s perception of who you are, and of what expectations and anticipation “Sequatchie Cove” brings to their minds.</p>

<p>Initial touchpoints:<br />
“Every choice made on the farm must build community.”</p>

<p>When you talk about meat, you talk about the pastures and forests in which the animals live, what they eat and how they are treated. About keeping the cow or chicken or pig stress free throughout its whole life, respecting the animal for the sake of the animal itself, and of the whole farm.</p>

<p>“Art + science.”</p>

<p>“When I have a craving, I know what it is that I want because I grew up on the farm.”</p>

<p>Terroir: capturing the flavors of the land, the place-ness of the farm, in the same way that a wine can.</p>

<p>---</p>

<p><b>To Whom Do You Make This Promise?</b><br />
In the fifty miles around the farm, things are changing. People who live here are more open to your message than fifteen years ago. More and more people agree that good food = local, high quality, healthy, fresh.</p>

<p>Our taste is moving away from so-called “cheap” foods—that are only cheap if we look only at the price tag, with unseen heavy costs to the planet and our bodies. A Happy Meal starts to seem less than happy. Since we eat every day, we were told, less expensive and less hassle = good.</p>

<p>Today there is a growing group of people who say this is not acceptable. That food should not only taste as fresh and be as nutritious as possible, but that growing, making and eating good food can add value to life.</p>

<p>Searching out the best ingredients, then preparing and enjoying them can be a pleasure, rather than a bore or a chore.</p>

<p>Most of these people are aged 18-65, monied, a high percentage are women or their buying choices are influenced by women, professionally established, educated, like good food and know why they should do so.</p>

<p><b>Three categories:</b><br />
<i>Hard Core Organic, Ecoeaters</i> - have highest expectations, want the most information<br />
<i>Lifestyle Shoppers</i> - want to change their understanding of food and their habits<br />
<i>The Fast and the Curious</i> - interested due to proximity, status or taste</p>

<p>---</p>

<p><b>The Two Most Important Factors to Note</b></p>

<p>Essentially we are speaking to two basic, but very different groups:<br />
1. Those familiar with <i>the actual farm</i>: its people, its animals and its place<br />
2. Those (only) familiar with <i>the idea</i> of a local farm</p>

<p>Any brand identity we develop must must speak truthfully and compellingly to both of these distinct audiences.</p>

<p>For audience number 1, we must be extremely careful not to lose or misconstrue the very personal, small and local feel they know to be the people, animals, plants and land of Sequatchie Cove Farm.</p>

<p>For audience number 2, we must be sure to stand out in the cluttered 21st century marketplace: to look as different and distinct as the actual farm and its products.</p>

<p>Fortunately, from a design standpoint, we found a way to do both.<br />
---</p>

<p><b>Brand Design</b></p>

<p>For the Sequatchie Cove Farm logo, we decided to use an array of various different letterpress wood types.</p>

<p>The letterpress printed type communicate hand crafted artistry from an era gone by (much like small local farmers). The imperfection of the wood type indicates a warmth and humanity in its unpredictability. The changing typefaces indicate the changing nature of the farm, its products and its seasons.</p>

<p>The rustic and rugged look to the type is representative of the nature of the difficult work of farming. It also has a simple and  humble connotation: like something we would find in a country store, not slick and polished like a corporation’s logo.</p>

<p>But the wood type is also strong, bold and easily visible in the overly-finished marketplace of grocery store brands. An added bonus to that fact that it truly embodies the spirit of Sequatchie Cove Farm: it stands in opposition and contrast to the teeming masses of over-produced groceries.</p>

<p><img alt="SFlogos.jpg" src="http://blog.widgetsandstone.com/archives/SFlogos.jpg" width="431" height="283" border="0" /></p>

<p>---</p>

<p><b>The Voice of the Brand</b></p>

<p>Sequatchie Cove Farm is a place inhabited by many plants, animals and people. These multiple elements working in concert create the spirit of the farm. We feel that handwriting can be used as a visual tool to indicate these many distinct “voices.” At the same time, the general use of handwriting becomes recognizable as the unifying voice of the farm.<br />
 <br />
Within this framework, it will be easy to allow many voices to speak. We can pull excerpts from writing or spoken ideas from Ann, Bill, Miriam, Nathan, Padgett (and so on), about different aspects of products or of the farm itself. These tiny vignettes will give us insight into the life and output of the farm, over time.</p>

<p><img alt="SCFhandwr.jpg" src="http://blog.widgetsandstone.com/archives/SCFhandwr.jpg" width="431" height="283" border="0" /></p>

<p>---</p>

<p><b>The Strategy for Implementation</b></p>

<p>Now that a visual design has been established for the Farm, we must go about deciding the best way to implement it — to get it out into the marketplace, in front of our desired audiences. The easiest strategy would involve developing a list of need items and then simply producing them. But unfortunately this involves a great deal of funds that are simply not available.</p>

<p>Just like planting season, we have to decide what things will bear the most fruit for the farm in later seasons.</p>

<p>After much discussion and thought we have developed this priority list of what to make and why:</p>

<p>---</p>

<p><b>1. An Updated Web Site</b></p>

<p>Web sites have become the primary resource for information for your target audiences. Everyone from wealthy customers interested in sustainable food economies to other local farmers, everyone from cheese connoisseurs to environmentalists use the web to find information and to communicate. </p>

<p>We believe that by establishing a simple plan for members of the farm to contribute new information to the site on a regular basis (once a month) it can quickly become a resource for:</p>

<p>- your current customers<br />
- potential customers wanting more information<br />
- CSA offerings and updates<br />
- Dancing Fern plant sales<br />
- seasonal changes in produce<br />
- other farmers seeking / giving advice on issues<br />
- advocacy and philosophy of local farming<br />
- promoting future offerings (eg the Dairy and the Cheese)<br />
- and more!</p>

<p>By establishing an easily implemented and maintained “blog” section, all of this could start almost immediately. And an added plus is that we have someone who is happy to set it all up for in-kind trade.</p>

<p>Best of all is that this medium is flexible and dynamic, easily changed and updated for free. It creates an active, changing and worthwhile online community around the farm — serving current customers better and helping to identify new customers as well.</p>

<p><img alt="SCFweb.jpg" src="http://blog.widgetsandstone.com/archives/SCFweb.jpg" width="431" height="283" border="0" /></p>

<p>---</p>

<p><b>2. General Information Brochure</b></p>

<p>This simple 4" x 9" card can house all the basic information on the farm. It can easily sit on a counter at Greenlife, fit in a back pocket or rest on a table at a farmer’s market. It can cover major talking points: what the farm is about, why it matters, where it is and how to find out more. It is easily portable and will serve as a major director to the web site.</p>

<p>These can produced economically in small runs (anywhere from 10 - 100) on a digital press on-demand.</p>

<p><img alt="SCFbro.jpg" src="http://blog.widgetsandstone.com/archives/SCFbro.jpg" width="431" height="283" border="0" /></p>

<p>---</p>

<p><b>3. Tri-Tent Displays</b></p>

<p>These serve many of the same functions as the 4”x 9” card, but sit permanently on the meat counters of the Greenlife meat Department. As a result, they can go into more detail about the farm and its distinctiveness, its offerings and its nature. </p>

<p>These have already been produced and implemented at Greenlife.</p>

<p><img alt="SCFtents.jpg" src="http://blog.widgetsandstone.com/archives/SCFtents.jpg" width="431" height="283" border="0" /></p>

<p>---</p>

<p><b>4. New Butcher Paper</b></p>

<p>We feel that your largest potential untapped audience is at Greenlife. The most readily available means we have to reach them and get their attention is at the meat counter. Greenlife has expressed willingness to wrap in and great fondness for the initial batch of butcher paper we supplied them. We feel that a large run would be cost-effective and attract a great deal of attention to the farm.</p>

<p>It also serves as a very clear distinction between Sequatchie Cove Farm’s meat and the other “white-butcher-paper-wrapped” offerings.</p>

<p>Our updated design highlights phrases that distinguish SCF meats, and provides contact info on the farm as well. Along with the brochure, these would serve to drive customers to the web site and hopefully the farm itself.</p>

<p>The single downside to this implementation is there are initial costs to printing 2500 sheets of color butcher paper — but they are reasonably affordable.</p>

<p>*with minor alterations, this same design could be made to serve as a wrapper for cheese in the future too.</p>

<p><img alt="SCFbpflat.jpg" src="http://blog.widgetsandstone.com/archives/SCFbpflat.jpg" width="431" height="283" border="0" /></p>

<p><img alt="SCFbp.jpg" src="http://blog.widgetsandstone.com/archives/SCFbp.jpg" width="431" height="283" border="0" /></p>

<p>---</p>

<p><b>5. Recipe Cards</b></p>

<p>This is yet another promotion at the Greenlife meat counter, but it is distinct in that it promotes the local chefs/restaurants that are promoting you. This co-promotion not only brings goodwill from your chef-customers, but it will help increase awareness of places that offer your product besides Greenlife. And increased business for chefs offering your products could result in increased demand for your product.</p>

<p>On the other side, these cards are also intended to teach the supermarket audience about the value of less well known cuts of meat. The typical American knows how to cook a steak or filet mignon, but fewer know how to cook roasts, and even fewer know how to cook short ribs. By increasing this awareness, we hope to increase sales of more cuts of meat, and therefore lead to increased demand from Greenlife.</p>

<p><img alt="SCFrec.jpg" src="http://blog.widgetsandstone.com/archives/SCFrec.jpg" width="431" height="283" border="0" /></p>

<p>---</p>

<p><b>6. Stickers</b></p>

<p>While stickers surely provide a “cool”, “activist” and “grassroots” slant on promotion, their return-on-investment is a little more dubious. While they certainly can attract attention and drive interest to the farm, they tend to interact with customers in places other than where they make food purchases (eg in stop and go traffic). </p>

<p>However, they can create a “buzz” of sorts.</p>

<p>Costs for 1 and 2-color durable and easily removable stickers are:<br />
1 color:   500 = $177.27   1000 = 199.44<br />
2 color:   500 = $258.46   1000 = 280.01</p>

<p><img alt="SCFstkr.jpg" src="http://blog.widgetsandstone.com/archives/SCFstkr.jpg" width="431" height="283" border="0" /></p>

<p>---</p>

<p><b>7. Apparel</b></p>

<p>While t-shirts, caps and such are quite exciting and wonderful, their cost is very high (when compared to stickers or brochures per unit). Especially if we were to use organic cotton or bamboo shirts, our costs could easily $10/shirt and higher for quantities of 25 or more. Our recommendation is to wait on this investment until a later date.</p>

<p>---</p>

<p><b>8. Other Implementation Strategies</b></p>

<p>There are of course many other methods to begin to get the Sequatchie Cove Farm brand out into the public and we hope to continue to explore all sorts of opportunities. Here are a few ideas that we have not explored, but should certainly be entertained in the future:</p>

<p>- advertising on WUTC (NPR) - perhaps share an ad with several other local food providers to defray costs?</p>

<p>- printed bags for CSA or general use</p>

<p>- standard old business cards</p>

<p>- fundraising dinners or Slow Food events, partnering with local chefs or caterers</p>

<p>- a schedule of press releases - on product offerings or news worthy stories</p>

<p>- partner in sponsoring Green Drinks?<br />
</p>]]>
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